How the How Cum podcast empowered me

This podcast was created as a digital artefact to be submitted for a university assignment for the subject BCM241: Media Ethnographies. It seeks to portray my experience with the media niche through two methods: observation and autoethnography. These have been analysed alongside further research which aided in my understanding.

For this research I listened to the first episode of each season of the How Cum podcast, and then looked through the associated Facebook, Twitter and Instagram feeds, and iTunes reviews, to gain insight into the conversation and experience of other listeners. I chose to look at the first episode of each season as the first season did not have much media engagement, and this picked up in the following seasons. I listened to the first episode of each to avoid missing any references to previous episodes which I concluded may happen if I was to engage with podcasts further into each season.

The limitations of this were that I didn’t get to see the progression of the podcast series and how it grew, and the same with the listener base. Also, not listening to the podcast in real time means I may have forfeited some live interaction between listeners and the podcast presenters.

Although media engagement picked up throughout the duration of the existence of the podcast, it still remained minimal. While I originally thought this aspect would be a valuable part of my research, I later realised that it helped me to focus solely on my individual experience. The personal, sensitive nature of the podcast topics, as well as a need for young people to maintain privacy around sexual health matters (Byron, Albury and Evers, 2013), I believe would have heavily influenced the occurrence of discussion online. If others took the information offline, as I did, into close social circles, this would not have been reflected through these online channels.

One part of my cultural context I would like to bring to attention is my socialisation within Australian society. In the context of the United States, where the podcast originates, there is no formal sex education in the national curriculum. US adolescent girls between 15-17 also have much higher rates of pregnancy than other industrialised nations including Australia (Gruber 2000). While I recognise that there are gaps within my formal sex education, possible epiphanies to others may be what I deem “basic” knowledge due to my Australian context.

My observations with each episode were documented through three podcasts. These can be accessed here:

Season 1 Episode 1

Season 2 Episode 1

Season 3 Episode 1

More information about the research can be found here.

More information about the sex-positive feminism lens can be found here.

Transcript:

Hi, my name is Naomi and this podcast will evaluate my experience with the How Cum podcast hosted by Remy Kassimir within the United States.

A bit more information about how I approached my research and my experience will be provided in the text below. My sources will also be below.

In this summary I will discuss the media niche through a sex-positive feminism lens, paying particular attention to the podcast’s contribution to women in modern day society. I will use this knowledge to contextualise my individual experience. 

The How Cum podcast is part of the more recent online aspect of the sex-positive revolution which began following the #MeToo movement (Lewis 2019). As GirlBoss (n.d.) magazine writes: “One of the more powerful elements of #MeToo is that women are giving voice not only to our anger and disgust with experiences of sexual coercion, but our dissatisfaction with the sex and romance status quo.”Berger (2019) continues “ [it] mobilized marginalized groups to speak up in all channels of life, including the human right to not just have sex, but also experience pleasure.”

While for many, including myself, explicit podcasts are an intimate over-share, the platform lends itself to a solo listening experience, making it somewhat easier to cover such private and personal topics (Iqbal 2019). Despite this, at times I found myself practically squirming over some of the terminology used. A lot of the words I would almost never utter aloud even in the presence of close friends and hearing them being broadcast by a stranger shocked me. In my immediate social circle, we discuss these topics in a very different manner, and therefore what is both comfortable and acceptable for me is dependent on my past and current interactions. After conducting some research, I found out that language is one of the last taboos of female sexuality and a stigma around the language of pleasure still remains. (Walker 2018). This was affirmed, when the third podcast I listened to spoke about mental health in a similar, casual, conversational tone, and  I absorbed this information comfortably. I have since realised that my tolerance of the use of subject-specific language depends on the way in which my friends and I use it. Our usage, or lack thereof in the instance of sexuality, mirrors what we have been socialised to believe is acceptable.

Media exposure shapes our thoughts, values, beliefs and behaviours (Gruber 2000) and it teaches us what is socially acceptable through social scripts and stories (Batchelor 2004). While traditional representations constrain women and men to their ascribed gender roles, new media gives potential for creators to “reflect on the nature of existing representations, and assess how they may be improved, challenged or developed” (Batchelor 2004). I went away from the first episode realising that I had shunned away from learning about a whole part of myself, because the media I had been exposed to (until now) hadn’t shown me any of this, and I didn’t think it was acceptable to further seek out this information.  As women, we aren’t as exposed to positive sexual health or sensation seeking content (K. Johnson 2017). This contributes to what Falk, in an interview with Lewis (2019), calls “ a problematic narrative around whose body is and is not deserving of health, wellness, and pleasure”. How Cum challenges this because it celebrates, encourages and normalises women’s sexuality. It dispels the shame, guilt and stigma that other forms of media make us feel. And, research shows that positive and empowering media exposure can lead to lower self and public stigma (K. Johnson 2017). After listening to 3 episodes and seeing numerous other women’s responses, I no longer felt ashamed about discussing these topics.

Sex-positive podcasts empower women to feel more in control, they open up new ways of talking about and relating to issues, prompting new conversations and interactions (Batchelor 2004). I personally brought up a lot of the information I learnt in the podcasts with my friends, as our relationships allow for this intimate sharing. While the podcast made me feel normal about a lot of these issues, the second tier sharing with my friends that this stimulated, reaffirmed that neither I nor them, were alone in how we felt.

The podcast opened up my understanding to new avenues of thought, about myself and others. One particular moment stands out, in which Dan Savage, a gay man, spoke physiologically about women’s sexual experiences. While the use of more vulgar language made information harder to digest, the biological language he used assisted. This objective point of view came from a source I would never have previously sought out for this kind of information. Also, it helped me understand that the lack of conversation about female sexuality not only affects women, but men too. Because if we don’t know or don’t understand things about ourselves, how can we teach others, or expect them to know?

In my experience, which is further supported by Walker (2018) and in an interview conducted by Girlboss (n.d.), sex education provided at school misses a large amount of information associated with pleasure education. Lewis (2019) recognises that, “When we don’t get this, we lose out on an understanding of our bodies, our pleasure, and the ability to understand sexuality as a concept, and be able to shape our larger culture to make it more sex positive.” How Cum filled this gap of knowledge for me, making me understand and be proud of my body and therefore more sex positive. Also, with such a generalised (and understandably so) approach to teaching in school, we are not aware of just how differing each person’s “normal” may be. When the podcast presented the differing timelines of experience between both girls and Dan, as a male, it made me realise just how much societal pressure I had felt throughout my teen years. A pressure to fit this mould, this timeline, that was actually completely non-existent.

People feel shame because they think they are the only person in the world to feel that way (Walker 2018). But the wide reach of How Cum, shown through engagement from Germany, Spain, the Netherlands, Australia and the United States of America, has shown me that women from all around the world experience these gender specific issues. All these women were applauding the podcast series, because just like me, it taught and continues to teach them that it is okay to feel how you do. I learnt that we all experience and feel things on such a wide spectrum, and that this is acceptable (Berger 2019). When you don’t feel so alone, you feel better about yourself (Lewis 2019).

What How Cum does, is it overturns stereotypes imposed on us, as women (Iqbal 2019). It destigmatises conversation focused on women’s pleasure and desire (Berger 2019). For me, it helped break down the barriers I didn’t even realise were imposed on myself. So, I encourage anyone who wants to know more, but maybe doesn’t know what about, or where to look, engage with the How Cum podcast. It’s time for the pleasure revolution (Walker 2018).

Attributions:

Image attribution: “#MeToo” by Truthout.org is licensed under CC BY-NC-ND 2.0

Background sound attribution: www.bensound.com

References:

Batchelor, S 2004, “Representing young people’s sexuality in the ‘youth’ media”, Health Education Research, vol. 19, no. 6, pp. 669-676.

Berger, A 2019, Welcome to the pleasure revolution, Well+Good. viewed 9 November 2020, <https://www.wellandgood.com/sex-positive-movement/&gt;.

Byron, P, Albury, K and Evers, C (2013) “It would be weird to have that on Facebook”: young people’s use of social media and the risk of sharing sexual health information. Reproductive Health Matters, 21:41, 35-44

Daymon, C and Holloway, I (2011) ‘Ethnography’, Qualitative Research Methods in Public Relations and Marketing Communications. Routledge: New York.

Girlboss n.d., These Women Are Leading The Sex Ed Revolution Online, Girlboss. viewed 9 November 2020, <https://www.girlboss.com/read/online-sex-education&gt;.

Gruber, E 2000, “Adolescent sexuality and the media: a review of current knowledge and implications”, Western Journal of Medicine, vol. 172, no. 3, pp. 210-214.

Iqbal, N 2019, ‘We’re women with brown skin, talking proudly about sex’, the Guardian. viewed 9 November 2020, <https://www.theguardian.com/media/2019/jul/27/podcast-brown-girls-do-it-too-talking-proudly-about-sex&gt;.

Lewis, R 2019, Social Media Censorship is Suffocating the Sex Tech Revolution, Bitch Media. viewed 9 November 2020, <https://www.bitchmedia.org/article/very-online/sex-tech-revolution-censorship-social-media&gt;.

K. Johnson, E 2017, “Erasing the Scarlet Letter: How Positive Media Messages About Sex Can Lead to Better Sexual Health Among College Men and Women”, American Journal of Sexuality Education, vol. 12, no. 1, pp. 55-71.

Marvasti, A (2014) ‘Analysing Observations’, The SAGE Handbook of Qualitative Data Analysis. Uwe Flick editor. Sage: Los Angeles.

Massimo, A (2018) Ethnography and the digital fields of social media, International Journal of Social

Moore, C (2020). Lecture Week 3, BCM241: Media Ethnographies.

Walker, S 2018, The pleasure revolution: the sex women really want, the Guardian. viewed 9 November 2020, <https://www.theguardian.com/lifeandstyle/2018/nov/25/the-pleasure-revolution-what-women-really-want-sex&gt;.

Wall, S (2006) An Autoethnography on Learning about Autoethnography, International Journal of Qualitative Methods 5 (2).

Podcast Review 3 – How Cum Season 3 Episode 1

The third of three podcasts that highlight my autoethnographic experience with the How Cum podcast.

Key take-aways:

  • Longer podcast was harder to remain engaged with
  • Lack of structure also contributed to lack of attention
  • Podcast focused more on mental health
  • With this topic more comfortable with the use of casual/conversational language
  • Social media engagement more prevalent on Twitter and Instagram (similar to previous one)
  • Evidence of a wider, global reach
  • Link of podcast to Netflix “Explained” series

Background sound attribution: https://www.bensound.com

Podcast Review 2 – How Cum Season 2 Episode 1

The second of three podcasts that highlight my autoethnographic experience with the How Cum podcast.

Key take-aways:

  • More comfortable with the use of professional/physiological language
  • Presentation of much broader topics i.e. LGBTQI issues, open communication
  • Guest speaker offered an informative, objective male perspective on female issues
  • Social media engagement more prevalent on Twitter and Instagram
  • Evidence of a wider, global reach

Background sound attribution: https://www.bensound.com

Podcast Review 1 – How Cum Season 1 Episode 1

The first of three podcasts that highlight my autoethnographic experience with the How Cum podcast.

Key take-aways:

  • Discomfort with terminology used
  • Recognition of personal interest and value of information presented
  • Societal and social influences on how information is received
  • Minimal social media engagement with this episode (first ever episode)

More information on the media niche can be found here.

More information on the research methods and background can be found here.

Background sound attribution: https://www.bensound.com

BCM241 Project Pitch

Continuing on from the video above, I hope to present my findings through a series of short YouTube videos. In these I want to discuss how I felt while engaging with each podcast episode, and also how I felt after reading the discussion around it. These conclusions will be drawn from my notes taken during both elements of observation. These notes are explained more in-depth in a previous blog post. I plan on uploading one video each time I finish an episode. This will ensure there is no confusion between what I have learnt and felt in each episode. I will also be able to interpret how my opinions have changed throughout the podcast series, week by week.

I plan on also having a final video which reflects on the whole experience and draws conclusions from all the videos as a timeline that represents how I have changed myself. Thus, an autoethnographic conclusion on the whole process.

With the observing of social media channels, I need to remain aware of the ethical concerns of publicness and the public domain. These are further discussed in a previous blog post. In short, I won’t be using any names or identifiable material that does not belong to me. I also will be mindful of the private and sensitive nature of the topics being discussed. I do believe these ethical issues should not complicate the research, as I will be focusing on my own experience. I hope this draws away from any ethical concerns involving outside parties.

References

Referenced in the video

Burrell, Jenna (2009) ‘The Field Site as a Network: A Strategy for Locating Ethnographic Research’, Field Methods,  21:2, 181–199.

Marvasti, Amir B. (2014) ‘Analysing Observations’, The SAGE Handbook of Qualitative Data Analysis. Uwe Flick editor. Sage: Los Angeles.

Moore, Christopher (2020). Lecture Week 3, BCM241: Media Ethnographies.

Helped shape the overall pitch

Anderson, Leon (2006), Analytic Autoethnography, Journal of Contemporary Ethnography, Vol. 35, No. 4, pp. 373-393.

Bashein, Sarah (2016). Young Feminist: Sex-Positive Feminism & Safety. [online] National Women’s Health Network. Available at: <https://www.nwhn.org/young-feminist-sex-positive-feminism-safety/&gt; [Accessed 26 August 2020].

Byron, Paul, Albury, Kath and Evers, Clifton (2013) “It would be weird to have that on Facebook”: young people’s use of social media and the risk of sharing sexual health information. Reproductive Health Matters, 21:41, 35-44

Daymon Christine and Holloway Immy (2011) ‘Ethnography’, Qualitative Research Methods in Public Relations and Marketing Communications. Routledge: New York.

Geertz, Clifford (1973) ‘Thick description- Toward an interpretive theory of culture,’ in The Interpretation of Cultures, Basic Books New York.

Jani, Shruti (2018). Since It’s Rubbished So Much, What Exactly Is Sex-Positive Feminism?. [online] Feminism In India. Available at: <https://feminisminindia.com/2018/03/27/sex-positive-feminism-101/&gt; [Accessed 26 August 2020].

Khan, U. (2017). Let’s get it on: Some reflections on sex-positive feminism. Women’s Rights Law Reporter, 38(3-4), 346-354.

Massimo, Airoldi (2018) Ethnography and the digital fields of social media, International Journal of Social

Mertens, Donna (2014). Ethical Use of Qualitative Data and Findings, The Sage Handbook of Qualitative Data Analysis (Edited by Use Flick), Sage: Los Angeles, 510 – 523.

Snyder, R (2008). What Is Third Wave Feminism? A New Directions Essay. Signs, 34(1), 175-196. doi:10.1086/588436

Wall, Sarah (2006) An Autoethnography on Learning about Autoethnography, International Journal of Qualitative Methods 5 (2).

Sex-Positive Feminism

The pro-sex movement, or sex-positive feminism, can be traced to the 1980s where women began to strive for sexual freedom and liberation (Khan, 2017) (Radhakrishnan, 2019). It is also referred to as third-wave feminism, differing from its predecessor, or second-wave feminism, through its recognition of a multiplicity of identities and anecdotes varying from feminist to feminist (Snyder, 2008). “Third-wavers” claim sexual pleasure as they desire it (Snyder, 2008), their sex-positivity constructed in reaction and response to a “sex-negative dominant discourse” (Mosher, 2017).

This pro-sex stance encourages freedom from repressive notions, with liberation of sex as a fundamental feminist goal (Glick, 2000). It acknowledges the attribution that this theoretical framework can have on wider society. As Mosher (2017) states, “a sex-positive paradigm… acknowledges the positive influence of sexual desires, attractions, intimacy, orientation, and eroticism on individual, relational, and community development.” It normalises the vast range and fluidity of sexual experiences, being body-positive, relationship-positive, kink-positive, eroto-positive (Mosher, 2017).

Jani (2018) recognises it as an individual with full autonomy over their sexuality, “regulations and/or restrictions on sexual freedom, be it by the government, (wo)men, other feminists, opponents of feminism or any other organization/institution are reprimanded in this movement.” Bashein (2016) focuses on an openness to engaging in sexual relations in whichever way an individual would like, consent and respect at the forefront.

To me, this concept and theoretical framework is characterised by sexual liberation, choice and control due to sexual freedom; an idea which challenges traditional societal and gendered understanding of sexual relations. As pro-sex feminism accounts for individual interpretations, it must be noted through my autoethnographic research that this perception is subjunctive.

Through this research, especially as this topic can be a personal and private one, I have identified the following ethical concerns.

1 – The private nature of what is shared within the community. It is important to realise that much of the data shared within this community may be sensitive information, intended to remain within the “safe space” which this podcast has created; there are dangers in publicly expressing private matters (Byron, Albury and Evers, 2013). Byron, Albury and Evers (2013) also note the need for young people to maintain privacy around sexual health matters in specific. To overcome this, I will not directly quote participants, but rather summarise their opinion/point through paraphrasing, ensuring they cannot be identified.  This leads to my second concern;

2 – Representation of voices. There is difficulty in accounting for individual experiences and situations, and correctly interpreting qualitative data is vital to ensuring accuracy (Mertens 2014). This can be alleviated through member checks and clarification with the community.

3 – The existence of the material being in the “public domain”, however this term is not synonymous with “publicness” (Winter and Lavis, 2020). The use of this data, aside from the legality of such, may be ethically wrong as it is forcing people to participate in the study, whether or not they explicitly agreed to this. As Moore (2020) continues, “agency is the guiding principle of ethical research, and it is imperative that we maintain and respect the agency of participants.” I hope to alleviate this concern through asymmetrical reciprocity (Harley & Langdon, 2018), as I ethnographically participate within the community I hope to collaborate with members as equals.

References

Bashein, Sarah (2016). Young Feminist: Sex-Positive Feminism & Safety. [online] National Women’s Health Network. Available at: <https://www.nwhn.org/young-feminist-sex-positive-feminism-safety/&gt; [Accessed 26 August 2020].

Byron, Paul, Albury, Kath and Evers, Clifton (2013) “It would be weird to have that on Facebook”: young people’s use of social media and the risk of sharing sexual health information. Reproductive Health Matters, 21:41, 35-44

Glick, E. (2000) ‘Sex Positive: Feminism, Queer Theory, and the Politics of Transgression’, Feminist Review, 64(1), pp. 19–45. doi: 10.1080/014177800338936.

Glosswitch, (2014). “Sex-Positive” Feminism Is Doing The Patriarchy’S Work For It. [online] Newstatesman.com. Available at: <https://www.newstatesman.com/lifestyle/2014/03/sex-positive-feminism-doing-patriarchy%E2%80%99s-work-it&gt; [Accessed 26 August 2020].

Harley, Anne and Langdon, Jonathan (2018). Ethics and Power in Visual Research Methods. The SAGE Handbook of Qualitative Research Ethics, edited by Ron Iphofen and Martin Tolich, Sage: London. 188 – 202.

Jani, Shruti (2018). Since It’s Rubbished So Much, What Exactly Is Sex-Positive Feminism?. [online] Feminism In India. Available at: <https://feminisminindia.com/2018/03/27/sex-positive-feminism-101/&gt; [Accessed 26 August 2020].

Khan, U. (2017). Let’s get it on: Some reflections on sex-positive feminism. Women’s Rights Law Reporter, 38(3-4), 346-354.

Mertens, Donna (2014). Ethical Use of Qualitative Data and Findings, The Sage Handbook of Qualitative Data Analysis (Edited by Use Flick), Sage: Los Angeles, 510 – 523.

Moore, Christopher (2020). Lecture Week 4, BCM241: Media Ethnographies.

Mosher, C. M. (2017). Historical Perspectives of Sex Positivity: Contributing to a New Paradigm Within Counseling Psychology. The Counseling Psychologist, 45(4), 487–503. https://doi.org/10.1177/0011000017713755

Radhakrishnan, Radhika (2019). What Being A Sex-Positive Feminist Means To Me. [online] Medium. Available at: <https://medium.com/radhika-radhakrishnan/what-being-a-sex-positive-feminist-means-to-me-b7cf21fd25ce&gt; [Accessed 23 August 2020].

Rome, Alexandra and Lambert, Aliette (2020). The Problem With The ‘Pornification’ Of Pop Culture. [online] The Independent. Available at: <https://www.independent.co.uk/life-style/women/pornification-misogyny-sexual-liberation-pop-culture-a9630631.html&gt; [Accessed 26 August 2020].

Snyder, R (2008). What Is Third Wave Feminism? A New Directions Essay. Signs, 34(1), 175-196. doi:10.1086/588436

Winter, Rachel and Lavis, Anna (2020). Looking, But Not Listening? Theorising the Practice and Ethics of Online Ethnography, Journal of Empirical Research on Human Research Ethics Vol. 15(1-2) 55– 62.

Feature Image credit

“Who needs feminism?” by Laura Forest is licensed under CC BY-NC 2.0

So, what exactly is the problem?

Problematising

Problematising, in particular for my media niche, is more about attempting to partake in original research with new insights, so I have narrowed down my problem to two avenues that cross relate.

Firstly, how the current time we are living in, encompassing societal values, technology and innovation, global movements and changes, and current lifestyles, has allowed for the existence and success of this media niche.

And, secondly, how this media niche influences/changes/affects its audience and other actors through the content and message it delivers.

Research plan

The methods I will be using to conduct my research are a combination of observation and autoethnography.

The observation will be participatory, I will be engaging with the media niche by listening to the podcast using the Spotify platform and on a mobile device. I will also be engaging with actors through various social media channels. Notes will be crucial to this observation, and I plan on recording these in two ways

  • On paper/on a device as I listen to an episode of the podcast. This will encompass:
    • Thoughts on the content
    • Questions that arise
    • Words/phrases to define/understand
    • Terms in which I want to explore further
    • How I feel about what is being said
    • How I feel at the end of the episode (has my perspective changed)
  • Through engagement with other actors on various social media channels. This will encompass:
    • Asking questions
    • Inquiring about terms/phrases
    • Discussing content with other actors
    • Analysing already existing conversation/forums and their content

As Marvasti (2014) stresses, the taking of these notes will be in my own, original words and focus on my personal experience. I must also be aware of what I have included and excluded, this reflecting my conceptual assumptions and working theory I have adopted (yet to be determined through further research) (Geertz, 1973).

This individual experience is further explored through the method of autoethnography which is autobiographical, analytic and descriptive (Wall, 2006).

The very crux of autoethnography is the awareness of your personal gaze, how you interpret, understand and experience a situation due to your own set of social and cultural personal experiences. This is referred to as being reflexive.

Anderson (2006) reiterates the value of analytic ethnography and reflexivity within this, bringing to point that inexperience within a field is a contributor to how we experience something too. Reflexivity, as Moore (2020) continues, allows for the production of an account in which we vividly reveal ourselves in a fluid rather than static world.

Of utmost importance is the take-away that our personal experiences are shaped by our very socialisation, and awareness and analysis of this is crucial. This is inclusive of our constant ongoing engagement with the very media we are researching, thus, it is changing us and our beliefs simultaneously as we try to make sense of it.

Schedule of research

For the following 3 weeks I hope to engage with the media niche directly, and through social media channels. My proposed plan is as follows:

Weeks 6-8

Listen to one episode of the podcast, note-taking while I listen. Note content is aforementioned.

In regard to social media content:

Week 6

Observe the various social media channels run as offshoots of the podcast, take notes on:

  • how users engage with the content and each other
  • the popularity of the media channel in regard to the media niche
  • the amount (if any) of outside engagement i.e. those who do not/have not listened to the podcast

By the end of this observation I hope to have identified 2 media channels which I would like to deeply analyse and engage with.

Weeks 7 & 8

Deeply observe the content of one of the social media channels identified in week 6, analyse the connections/relationships between actors using this channel, engage with actors through posting my own ideas/thoughts. The content I post on these channels will be one form of notes, and I will also jot down other observations in a word document.

In the weeks (mid-semester break) following, I would like to conduct further reading on, as aforementioned, the current time we are living in (expanded on in paragraph 2, above). I would like to particularly focus on influences on the content I have engaged with in the media niche. I want to do this after engaging with it, so my personal experience with this content and the topics covered is raw and seen through an uneducated, unexposed lens. I will also analyse the data I have collected through my notes. The further research should address part one of my research problem, and my notes and experience should be primary data to answer part 2.

 

References

Anderson, Leon (2006), Analytic Autoethnography, Journal of Contemporary Ethnography, Vol. 35, No. 4, pp. 373-393.

Geertz, Clifford (1973) ‘Thick description- Toward an interpretive theory of culture,’ in The Interpretation of Cultures, Basic Books New York.

Marvasti, Amir B. (2014) ‘Analysing Observations’, The SAGE Handbook of Qualitative Data Analysis. Uwe Flick editor. Sage: Los Angeles.

Moore, Christopher (2020). Lecture Week 3, BCM241: Media Ethnographies.

Wall, Sarah (2006) An Autoethnography on Learning about Autoethnography, International Journal of Qualitative Methods 5 (2).

Feature Image credit

“Women’s March 2018” by Mobilus In Mobili is licensed under CC BY-SA 2.0

Modern day women and the pro-sex movement – “How cum”

And just like that, my project has done a complete 180 and gone off in an unprecedented direction. In fact, you could largely disregard the last post as it really has nothing to do with my new idea.

Therefore, I will quickly run through my new idea, outlining it as I had done my previous one. I will also try narrow it down to a more niche area of study, give a rough map of the network site, and start to identify key actors and elements of the phenomenon.

A podcast I stumbled upon during quarantine was “How Cum” by Remy Kassimir, which is available on Apple Music and Spotify. It started in 2017 and its success is apparent as it is currently in its 3rd season. It is tailored towards females, and centres on all things to do with sex; from orgasms, to sexuality, to body image, and everything in between (really, there are so many topics I didn’t even realise were topics).

The podcast calls for audience participation, stories and inquiries, and also features many guest speakers from a range of disciplines. “How Cum” also has a website with various features including success stories from listeners, merchandise, and links to their Twitter, Instagram and Facebook pages.

I propose my research to be on this podcast and the related media channels. It is one of the first media channels which addresses a topic that has previously been taboo in the public sphere (and still is, just not to the same extent evidently). I believe an ethnographic research project will help me further uncover why this podcast has been so successful, predicting that this will be due to the two-way communication channels facilitated through social media sites and audience participation. I also believe another major factor is the timeliness and prevalence of women’s rights movements and a move toward pro-sex attitudes within society. Finally, a question that I would like to further explore and understand on the topic is if this podcast helps shape society and their attitudes, or is shaped by them?

Moving toward the field site for my research. In this instance, the field site is not physical nor online, but the network of relations of those that impact and are impacted by my research topic.

Displayed is a brief field map, encompassing platforms in which the podcast is aired, off-branch channels related to it, how to get in contact, the hosts/producers, the worldwide listeners, and societal influences.

 

How cum field site

There are a few elements I want to look deeply into, as I believe they have large influence on the dynamic of the podcast series. One is the host, Remy being a comic and able to present the content in a fun and easily dissectible manner. The second is the listener base, which is majority women.  The third is the online presence and various media channels which are often two-way (listeners are provided with content but can also interact and provide their own content). This element is vital to the ethnographic research as the digital environment cannot be ignored in its transfer of offline methods into the online world (Massimo, 2018).

The most interesting and influential actor, however, I believe is society and the point in history in which the podcast exists. This sociocultural process exists across vast terrain, and it is necessary to consider both online and offline spaces (Burrell, 2009).  I believe these are shaping the very existence and popularity of the podcast series. I have used a cartoon depicting the #MeToo movement as an example of an online space, as well as protest cartoons depicting offline spaces.

The last consideration I want to recognise is the fact that as the researcher, I already exist as part of this community and part of the field site. I understand that this will mean I need to be able to make myself a “cultural stranger” to this community in some sense, a difficult task due to the internalisation of rules and norms (Daymon & Holloway, 2011). I hope to draw on the work of Uddin (2011), ‘Decolonising ethnography in the field: an anthropological account’, who attempts to identify himself and separate from a community he is a part of, in order to research it. This process and awareness will be paramount in delivering objective ethnographic research.

References

Burrell, Jenna (2009) ‘The Field Site as a Network: A Strategy for Locating Ethnographic Research’, Field Methods,  21:2, 181–199.

Daymon Christine and Holloway Immy (2011) ‘Ethnography’, Qualitative Research Methods in Public Relations and Marketing Communications. Routledge: New York.

Massimo, Airoldi (2018) Ethnography and the digital fields of social media, International Journal of Social

Uddin, Nasir  (2011) ‘Decolonising ethnography in the field: an anthropological account’, International Journal of Social Research Methodology, 14:6, 455-467.

What exactly are we doing here? How do I use Zoom again?

Perhaps a great example of the reality of the communication process in which I am interested in researching, is the fact that I am submitting this first blog post a week late.

Studying and finishing a university degree through remote learning has its strengths and downfalls. I, amongst many others, find ourselves thrust into this unfamiliar situation, and we must navigate it blindly. Not just students, but tutors, lecturers, mentors, university faculty, IT staff.

This phenomenon I have no doubt has been used in other instances prior to the pandemic we are currently living in, for distance learning, sick students, and through research I hope to uncover other occasions too. It may seem foreign to us, a learning curve, unchartered waters, but the process itself is not entirely new.

In this blog post I will briefly outline exactly what I want to research, its relevance, why it should be researched, and why anyone should care at all.

Remote delivery and learning have become increasingly prevalent in the present day. 6 months into a global pandemic, many institutions are familiarising themselves with the platforms, technologies and procedures that encompass remote learning. Teachers and students alike, are learning simultaneously, and there is an ongoing trial and error process.

Before having begun this semester, I watched as students were thrust mid-semester into digital delivery. I heard and saw the difficulties of this unprecedented switch. It seemed to bring about a lot of creativity and flexibility. A lot of stress and uncertainty, too.

I, myself, now find myself in the exact same position. Perhaps, it is even more challenging. I currently sit on the lounge of a flat in London, unable to return to Australia due to flight restrictions and capacities put in place by the Australian Government. I not only do this remote delivery online, I do it 9 hours behind, 17,003km away.

I believe this research is timely, and it is also useful for many institutions moving forward. It will enable us to better understand how the internal processes work, how they are received by those within the community, how actors are constantly communicating and networking with each other and outsiders, what media/online platforms are commonly used. We can better grasp how to imitate a real classroom environment, online, and we can better understand if this should be the angle we take. We can question, if online learning and classroom learning are able to be interchanged.

Should this situation continue, or arise again, the ability to better understand remote delivery is vital to its success. Research into this process will be valuable even when the pandemic ends and classrooms reopen again. As aforementioned, for sick students or distance learning students, streamlining remote delivery will be highly beneficial.

Finally, ethnographic research as a method is ideal to the expansion of understanding and improvement of remote learning. To understand the community from within means we do not just get a snapshot of the mechanics, but rather, we understand the inner workings that drive and substantiate the very process (Daymon & Holloway, 2011).

In the coming weeks I shall further refine, research and document my findings on remote learning/online delivery of university subjects within Australian universities.

References

Daymon Christine and Holloway Immy (2011) ‘Ethnography’, Qualitative Research Methods in Public Relations and Marketing Communications. Routledge: New York.

Photo credit

“Computer Problems” by CollegeDegrees360 is licensed under CC BY-SA 2.0

The Great Wall of China

After being assigned an assignment that required us to engage with Asian culture, I booked a trip to China and camped on The Great Wall of China. This is how it went down.

To further explain exactly what happened in the raw footage compilation, as well as give a bit more of an educational understanding of the experience, I recorded an additional video.

I hope these two videos accurately portray how incredible my experience with The Great Wall of China was and how grateful and honoured I am to have had this opportunity.